a5c7b9f00b Meet Sgt. Nicholas Angel. He's good. Too good. So good at what he does that his department has decided to make him disappear because he's making the rest of the department look bad. So as a token of his appreciation the Metropolitan Police Service decides to transfer him to a small country village known as Sanford, Gloucestershire. Upon arrival, Nicholas quickly settles into his new surroundings and becomes familiar with the townsfolk, who all have unique personalities and are very friendly with one another. They govern themselves under an ultra-strict organization called the Neighborhood Watch Alliance. He's assigned to a station with a number of officers who don't take the job as seriously as he does. Now paired with Danny Butterman, the Inspector's son, who is a bumbling, overweight officer who has an uncontrollable love of Hollywood action films and thinks that everything Nicholas does mirrors the movies he loves. But when the town's residents start dying one by one, Nicholas and Danny soon undercover a massive conspiracy while the village struggles to maintain its' "village of the year" distinction. Since there has been no recorded murder in Sanford in 20 years, Nicholas and Danny have a hard time unraveling the conspiracy. Can they stop it before it's too late?
Sgt. Nicholas Angel is just about the perfect copper: honest, reliable, and dedicated to public duty. The only problem is that he is too good. His arrest record is so good that he is making everyone else look bad so he suddenly finds himself transferred to the picturesque village of Sandford. There he not only finds that the police force is less than ideal, but that there is in fact very little policing to do. The odd drunk and a few lads with a can of spray paint are about all there is to worry about. He becomes friendly with Constable Danny Butterman, who just happens to be the station chief's son. Suddenly however, there is a rash of murders that leads him to believe there is a massive conspiracy to keep the village clean and inoffensive.
A friend told me that I would be amused by this film, and I was!<br/><br/>It took me about a minute at the beginning to realize that I was going to be in for some deep satire, as the cop played by Simon Pegg works up the ladder of his superiors to find out that he&#39;s &quot;too good to be kept on staff because he makes everyone else look bad.&quot; I had previously seen Pegg only in a Star Trek cameo, where his talents were wasted at the hands of JJ Abrams. Here, he shines.<br/><br/>As he is reassigned to a quaint British village, it slowly dawns on him that not all is as it seems, and that mysterious deaths are a grand collusion of the villagers. His sidekick is a naive but eager learner, and the two work off each other really well. The quips are hilarious.<br/><br/>The British villager characters are drawn wonderfully, even the little lady with her crossword puzzles is really a demonic killer. The plot proceeds from more of a cop mystery-and-detective story to outrageous action set pieces as we approach the climax.<br/><br/>In a way, the structure of this film is a little like Blues Brothers, an equally quirky movie: things start out reasonably normal, but by the end, things are so over-the-top that you&#39;re not quite sure where it transited from improbable to impossible.<br/><br/>I&#39;ll have to go see Shaun of the Dead now, even though the title did not sound very inspiring!
Genre parody is running rampant currently, probably because Hollywood is so out of ideas at this point that they&#39;ve gone down to the level of making fun of their own crap with even more crap that basically every year we get another slew of pop culture regurgitation in the form of Genre Movie and kids films like Shrek, Happily N&#39;Ever After, and Hoodwinked to make sure nothing worth seeing doesn&#39;t have its hilarious counterpart. That is why we need people like Simon Pegg and Edgar Wright.<br/><br/>The thing about Shaun of the Dead and Hot Fuzz is that both of them manage to make fun of, respect, AND transcend their own genres. Shaun of the Dead isn&#39;t just a funny reworking of zombie horror flicks, its a damn good zombie horror flick in its own right, and also breaks new ground with the genre. The exact same thing is true with Hot Fuzz. Where any sarcastic Hollywood genre satire would try to show how dumb a cliché is by making it even more outrageous, Edgar Wright simply has the characters say, &quot;But that would create a lot of paperwork.&quot; Where a lesser parody would make an obvious twist as a nod to obvious twists, Simon Pegg finds out that the motivations for the recent crimes is really much simpler.<br/><br/>But beyond that, these films are good films, removed from genre, in their own right. Hot Fuzz uses a style of quick-cut editing to match the ridiculous quick-cut editing that&#39;s become popular in such ridiculous nonsensical films as Domino and Walking Tall, but they don&#39;t over extend it to show how ridiculous it can get… rather, they learn something about the form and most importantly make the editing extremely, extremely good. Hot Fuzz has quick saturated action film editing, but it does it in a way that leads the eye gracefully through the action, thus one upping every other bad action flick being ground out by Hollywood.<br/><br/>But the best part is that these films don&#39;t need prior knowledge of other films in order to get the joke. A more underhanded reason so many Scary Movie sequels keep coming out is that they directly make fun of recent horror films one-to-one, meaning one must actually see those terrible movies in order to get the jokes. Hot Fuzz stands alone. Even if you haven&#39;t seen Bad Boys II or Point Break, you can still follow this movie because it has engaging and colorful characters, good action, and most importantly–CREATIVITY. And even though it provides constant nods to pop culture, it also has its own quirky form of English humor to basically make everybody laugh. Not only does Hot Fuzz transcend buddy cop movies and slasher flicks (with a hint of Westerns, too!), it also transcends spoof genre. Take that, Hollywood! I figured Shaun of the Dead was a one-time deal, but now I hope Simon Pegg and Edgar Wright continue to craft even more genres into actually skillful and fun movies for years to come.<br/><br/>–PolarisDiB
The thrill of Hot Fuzz is the chemistry between Nicholas and local oaf Danny Butterman, who is an action film aficionado and finds Nicholas' stories utterly engrossing.
The newly promoted Nicholas Angel (Simon Pegg), the Metropolitan Police Service&#39;s top police officer is transferred to the quiet village of Sanford, because his superiors feel that his achievements as a police officer is making them look bad. Nicholas discovers Sanford has no crime, the local police is lazy and don&#39;t do their jobs and everyone in the town is quirky. But, for Angel, it gets much worse because Chief Inspector Frank Butterman (Jim Broadbent) has partnered him up with his son, the fat and incompetent Danny (Nick Frost) who is obsessed with action movies. But, things start to get worse. As Sanford is up for the &quot;Village of the Year&quot; award, various members of the community are being murdered. With Sanford police officers refusing to help investigate and dismissing the violent deaths of the victims as only actions. Angel and Danny set out to find the killer, but Angel soon uncovers a conspiracy behind the victim&#39;s murders, which concerns the &quot;Village of the Year&quot; award. Angel soon becomes suspicious of supermarket manager Simon Skinner (Timothy Dalton) and members of the NWA and Angel sets out to convince Danny and other officers to help him put a stop to the murders and foil the mastermind&#39;s scheme and expose the truth. Hot Fuzz is based on a screenplay by director Edgar Wright and principal actor Simon Pegg. &quot;The fuzz&quot; is a slang term for the police. The title was seemingly chosen to sound like a typical action movie. Here&#39;s a few…<br/><br/>&quot;Bugger&quot; is a general expletive or is used to refer to someone negatively.<br/><br/>&quot;Collar match the cuff&quot; refers to the color of someone&#39;s pubic hair being the same as the hair on their head. This is similar to the American phrase &quot;carpet matches the drapes.&quot;<br/><br/>&quot;Jog on&quot; means &quot;Move on&quot; (or &quot;fuck off&quot; / &quot;get lost&quot;). A solicitor is a term used in common law practicing countries, such as England, where such a person practices aspects of law for a client. More commonly known as a lawyer. Although the terms are occasionally used interchangeably, &quot;barrister&quot; refers to a lawyer who represents clients in court, while &quot;solicitor&quot; refers to a lawyer who represents clients in non-litigation matters, such as wills and real estate transactions. The name on the grave was &quot;Irene Butterman,&quot; Danny&#39;s mother. She killed herself by driving her car off a cliff after gypsies moved into a field and destroyed any chances of the village winning the &quot;Village of the Year&quot; competition. Sgt Nicholas Angel (<a href="/name/nm0670408/">Simon Pegg</a>) accuses Simon Skinner (<a href="/name/nm0001096/">Timothy Dalton</a>) of murdering Martin Blower (<a href="/name/nm0861915/">David Threlfall</a>), Eve Draper (<a href="/name/nm0700577/">Lucy Punch</a>), and George Merchant (<a href="/name/nm0177267/">Ron Cook</a>) because they were working together to get land for the new bypass. If the bypass was accessible by road then it would be a good location for a retail park, which would make Skinner go out of business. He basically thinks Skinner killed them all because they were competition. He then accuses Skinner of killing Tim Messenger (<a href="/name/nm0125511/">Adam Buxton</a>) because Messenger was a loose end who knew about the Blower/Draper/Merchant deal. Angel also accuses Skinner of killing Leslie Tiller (<a href="/name/nm0717176/">Anne Reid</a>) because she was going to sell up to the land developers. Here are some (and still counting):<br/><br/>&quot;For the greater good&quot;—said by most of the characters.
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